A Passion for the Margins: Relativism and Writing after the "Deconstruction of Metaphysics"

Authors

DOI:

https://doi.org/10.25180/lj.v27i1.380

Keywords:

Jacques Derrida, Metaphysics, Relativism, Truth, Writing, Margins, Empowerment

Abstract

This paper reviews the complex and nuanced treatment of metaphysics in the first major works of Jacques Derrida (1967-72), and it supplements deconstruction with existential themes in order to safeguard it from the accusation of nihilistic relativism. The critique of logocentrism, often systematized through a paradoxical 'ontology of the trace', has been embraced by phenomenology and post-deconstruction, but also seen as insufficient for today's challenges. Returning to Derrida's demonstrations, I explore why metaphysics must be textual if it is to produce two operations constitutive of thinking: a certain technology of forgetting and an experience of meaning as singularized in words. This textuality is, specifically, that of writing, which reveals how, beyond truth, it is meaning-making that is sought by metaphysics and its writers. The techne of writing, then, plays a special role in individual, existential empowerment, but this interpretation of the history of ideas as a power struggle does not amount to moral relativism, because writing can help us sustain a unique and constructive passion for the margins.

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Published

24.09.2025

How to Cite

Buchoul, S. (2025). A Passion for the Margins: Relativism and Writing after the "Deconstruction of Metaphysics". Labyrinth, 27(1). https://doi.org/10.25180/lj.v27i1.380

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Section

The Critical Perspectives and Legacies of Deconstruction