One of God's "Bad Moods": Kafka's Social Diagnosis and its Multiple Interpretations

Authors

  • Yvanka B. Raynova Institute of Philosophy and Sociology of the Bulgarian Academy of Sciences / Institut für Axiologische Forschungen, Wien https://orcid.org/0000-0003-1652-2236

DOI:

https://doi.org/10.25180/lj.v26i2.363

Keywords:

Franz Kafka, Friedrich Nietzsche, interpretation, social critique, arts, media

Abstract

In this editorial for the special issue on Franz Kafka, Yvanka B. Raynova examines Kafka's relationship to Nietzsche as well as the very different and often contradictory interpretations of Kafka's work by philosophers and literary critics. She argues that although Kafka's novels cannot be directly "translated into a philosophical, theological, sociological, or psychoanalytical discourse" (Jürgen Born), they should not be interpreted and evaluated solely from a literary perspective, as they raise institutional questions that have led to socio-critical and political associations that are just as urgent for us today. In this context, she refers to the controversies surrounding Kafka's work in Eastern Europe during the Cold War, to his current socio-political reception in art, and to the Kafkaesque in the contemporary world.

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Author Biography

Yvanka B. Raynova, Institute of Philosophy and Sociology of the Bulgarian Academy of Sciences / Institut für Axiologische Forschungen, Wien

Full Professor of Contemporary Philosophy at the Institute of Philosophy and Sociology of the Bulgarian Academy of Sciences

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Published

30.01.2025

How to Cite

Raynova, Y. (2025). One of God’s "Bad Moods": Kafka’s Social Diagnosis and its Multiple Interpretations. Labyrinth, 26(2), 5–28. https://doi.org/10.25180/lj.v26i2.363

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